According to some lesser-known social media site called “Twitter”, the 2015 Academy Awards took place this past Sunday. Host Neil Patrick Harris got in a few fine jabs at both the Academy and the audience, but his ‘prediction box’ bit fell flat. The show was a mix of awkwardness and fine acceptance speeches, especially from Patricia Arquette, Common & John Legend, and screenwriter Graham Moore.
Aside from the severe lack of Gone Girl nominations, I suppose the show was interesting enough. As for predictions, my Oscar ballot was awfully inaccurate, but I’d like to share what maybe should have won in the major categories:
Actual winner- Birdman
Preferred Winner- Gone Girl
*Rationale- Birdman is a fine movie, and a worthy nominee. However, I counted 11 films I liked more this past year, most of all the absolute perfection that is Gone Girl. I’m bummed that Hollywood couldn’t help but honor a movie about itself. Go head and be narcissistic, Academy, but you got it wrong.
Actual winner- Julianne Moore in Still Alice
Preferred winner: Rosamund Pike in Gone Girl
*Rationale- I haven’t seen Still Alice, and I love Julianne Moore in most everything. There’s just no way that it’s better than the subtle psychopathy on display from Pike. It’s something I’ll remember for years.
Actual winner- Eddie Redmayne in The Theory of Everything
Preferred winner- Michael Keaton in Birdman
*Rationale- I haven’t seen Redmayne’s performance, but too often the Academy awards the physical performance over the more resonant one. Keaton has been overlooked for decades now, and his brilliant turn as a has been seeking admiration is just right; despite what he says, I believe it’s easy to draw parallels between the man and his character.
Best Supporting Actress
Actual winner- Patricia Arquette in Boyhood
Preferred winner- Emma Stone in Birdman
*Rationale- Arquette was excellent in Boyhood, but the little bit of Emma Stone we see in Birdman was the best supporting performance. One specific scene, an encounter with her father (Keaton), showcases her range. It’s truly brilliant, considering the lengthy shots this film has, being able to put that performance together without breaking.
Best Supporting Actor
Actual winner- J.K. Simmons in Whiplash
Preferred winner- J.K. Simmons
*Rationale- In my estimation, there wasn’t a better performance all of last year. Simmons was the ultimate villain, full of fire, brimstone, cold calculation, deceit, and the belief that he was right. It’s the perfect formula. The idea that Whiplash was inspired by true events is frightening. Simmons gave the performance of a lifetime.
Best Animated Film
Actual winner- Big Hero 6
Preferred winner: How To Train Your Dragon 2
*Rationale- Big Hero 6 is not a bad movie, but its’ manga sensibilities dragged it down, resulting in a very underwhelming film. The marketing team did their jobs very, very well. HTTYD 2 is a superior film, in both scope, humor, and heart; how the Academy didn’t see that is beyond me. My guess is they shied away from a sequel title. One must wonder what they were doing here, especially with the omission of the popular Lego Movie.
Actual winner- Alexandre Desplat for The Grand Budapest Hotel
Preferred winner- Danny Bensi/Saunder Jurrians for Enemy and Mica Levi for Under the Skin
*Rationale- There is never anything special about the prolific Desplat’s work, nothing memorable, only distracting. It’s as if he cannot help but bore the listener. Some may dismiss this category, but to me, the score can make or break the film, and too often, Desplat’s music distracts. The tense, terse strings of Enemy and Under the Skin have cues that call to mind the best parts to Bernard Herrman’s brilliant Vertigo score, yet still maintain their own off-putting nature. The Academy often has no balls to nominate the right score, let alone choose the right winner. No exception here.
Best Original Song
Actual winner- John Legend & Common for “Glory” from Selma
Preferred winner- John Legend & Common for “Glory” from Selma
*Rationale- For the first time in recent memory, there were a plethora of decent original songs, from the adult-contemporary tune from Begin Again to the hyper beats of “Everything Is Awesome”. “Glory” deserves the win, however, for its’ power and quality. John Legend’s pointed comments while accepting the award absolutely rang true.
Best Visual Effects
Actual winner- Paul Franklin, Andrew Lockley, Ian Hunter, and Scott Fisher for Interstellar
Preferred winner- Insterstellar
*Rationale- Complain all you want about Interstellar’s story- I don’t think complaints for the visual effects would hold up. Aside from some impressive visuals in Guardians of the Galaxy, no film compared to Interstellar’s innovative designs, especially for the robots.
Best Original Screenplay
Actual winner- Birdman
Preferred winner: The 4 writers of Birdman (based on the actual nominations; Damien Chazelle for Whiplash based on my preference)
*Rationale- Oscar basically got this one right based on the nominations, for it’s one of the more original, interesting ideas in recent memory. If Whiplash would have been in this category, I’d have chosen it; however, Oscar got lazy and placed it in the “adapted” category. Whiplash was an incredible battle of wills, begging the question “what price greatness”, and creating the most memorable villain in recent memory (J.K. Simmons).
Best Adapted Screenplay
Actual winner- Graham Moore for The Imitation Game
Preferred winner- Paul Thomas Anderson for Inherent Vice
*Rationale- No disrespect for Mr. Moore, whose acceptance speech was incredibly courageous and important. However, watching Inherent Vice was a complete trip, and there is no way I’m NOT quoting it five years from now. That’s the mark of brilliant writing, and what PTA adapted from Thomas Pynchon’s novel.
Best Foreign Language Film
Actual winner- Ida
Preferred winner- n/a
*Rationale- Unfortunately, I haven’t seen Ida, or any of the foreign language film nominees this year. Ida is readily available on Netflix, however, and I’m keen to watch it.
Actual winner- CitizenFour
Preferred winner- n/a
*Rationale- Unfortunately, I didn’t see any of the nominated documentaries this year. I did see a number of other excellent docs however, including the Roger Ebert documentary Life Itself. The acceptance speech given by Laura Poitras, CitizenFour’s director, was another poignant moment, warning us to always guard our freedoms.
Actual winner- Emmanuel Lubezki for Birdman
Preferred winner- Bradford Young for Selma
*Rationale- Birdman was certainly a genius cinematic achievement, and the camera work was something special. However, I understand cinematography as the film that truly looks the best. To me, Bradford Young’s work on Selma was unmatched this year, cloaking the film in an almost sepia tone, taking us back 45 years into one of the United States’ darkest hours. Nothing against Lubezki, a true master and Oscar winner from just last year, but Young’s work deserved more notice.
Best Production Design
Actual winner- Adam Stockhausen for The Grand Budapest Hotel
Preferred winner- Adam Stockhausen for The Grand Budapest Hotel
*Rationale- I may not have enjoyed the film, but Stockhausen’s production design was a standout, for sure. From the pink hotel to the red-lined elevators and postcard-esque exteriors, I admit that the clearly painstaking detail that was put into that production’s design was the high point of the film.